We continue working with the modes harmonized with triads. Now it's time for the Dorian mode.

Study of the different boxes of this scale. We get the locrian mode if we play the major scale starting at the seventh note.

I harmonize any note of the arpeggio with triads, including the seventh of the chord.

Today we continue with the work of harmonizing the modes with triads.

This mode is composed by the root, minor second, minor third, major third, just fourth, just fifth, minor sixth and minor seventh.

We continue working with the modes harmonized with triads.

Harmonize any note of the arpeggio with triads. The idea is that you can play a melody harmonize at the same time.

The melodic minor scale "Harmonized". Miss out every other note!

In our quest for percussive freedom, we will explore melody making: how to stack rhythm, bass & harmony with a melodic movement on top